My practice explores the point at which chaos and order intersect, and how light gives form to this relationship through structures that remain unstable and difficult to fully define. Working across projection, sculptural elements, and digital processes, I construct environments in which light behaves as both a controlled medium and an unpredictable force, producing fleeting patterns that appear and dissolve over time.

These shifting formations draw on the logic of dance, where movement exists between structure and spontaneity. Like the trace of a body in motion, light creates temporary compositions that unfold in space and time, emphasising the instability of perception. The viewer encounters the work as an immersive and changing environment, becoming aware of their position within it.

Influenced by Jungian ideas of the self and the shadow, my practice considers light not as clarity, but as something that reveals fragmentation and the tension between the conscious and the unconscious. Shadows and reflections act as active elements, suggesting what is hidden or unresolved. The butterfly appears as a recurring motif, representing continuous transformation between these states.

At the same time, the work responds to contemporary digital culture, where technology and artificial systems increasingly shape our attention and experience. As we become absorbed in constructed environments, the boundary between lived reality and simulation begins to blur. My installations function as transitional spaces – bridges between the physical and the digital – where the viewer may become momentarily lost yet also made aware of the illusion they inhabit.